This is one of my favorite records so far this year. I’ve had an intense personal connection with it that I hope to write about later. For now, though, here’s an excerpt from the review I got to write about it for Popmatters:
“Divine Bell”, a co-write with Old Crow Medicine Show’s Ketch Secor, is the most old-timey thing here, a true country gospel tune about the end of suffering. Not only is it explicitly Christian, it’s pretty Dispensationalist, and its regionalism is pitch-perfect, both in eschatology and twang. Then, closer “Bright Morning Stars” is an Appalachian folk song that Washburn, Secor and fellow Old Crow Morgan Jahnig sing in Sacred Harp-style acapella. It’s not a hymn, though—it’s a mourning song—and its more inclusive vision of hope is given startling depth by Washburn’s choice to superimpose it over throat-singing by Mongolian string band Hanggai. That one-two punch poignantly closes a record about homesickness and community on a note of provocatively spiritual—and entirely global—uplift.
–full review, originally posted on February 28, 2011, at Popmatters